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DEHD & DEEPER

Tate

Wednesday, September 04
Show | 8:30pm // Doors | 7:30pm
$10

21+ Only

Dehd

Love is everyday magic. That’s the impression you get listening to Water, the new album by Chicago trio Dehd. Love rises up into the atmosphere like steam off a summer sidewalk and makes you wild. Love breaks your heart and you consider yourself lucky for it. Like water itself, it surrounds us, it supports us; it’s what we’re made of. It takes the shape of its container.

That’s something Jason Balla, Emily Kempf, and Eric McGrady discovered quickly after forming Dehd in 2014. Balla and Kempf are both veterans of Chicago’s increasingly fruitful DIY scene (Balla with Ne-Hi and Earring, Kempf with Vail and formerly with Lala Lala). When they joined forces with first-time drummer Eric McGrady, they discovered they shared a strange and inexplicable chemistry. The music they make — hazy and reverb-drenched, a scuzzy and hyped-up take on surf rock that could only come from the Third Coast — came so intuitively, it made all three feel like they were stewards of something bigger than themselves, even while that very thing is unmistakably drawn from their own personalities. “There’s always been this easy grace about the band because we purely just love doing it,” Balla says of their immediate coherence.

That easy relatability was tested around the time they began working on Water in August 2017, when Balla and Kempf, who had been dating since the band’s inception, went through an agonizing breakup. “Realistically, when you have a breakup, you want to isolate yourself and cut yourself off from one another,” Balla says. Instead, Dehd went on tour. The time in the van did them good, forcing each of them to come to terms with the way they felt about one another — and about the band.

“We processed our breakup through the scope of the band,” Kempf explains, leading them to realize that the music they were making as Dehd was more important than the dissolution of their romantic relationship — and that the musical connection between the three of them was even deeper than they’d imagined. “Every time we write music together or play shows, the chemistry between the three of us seems rare and worth holding on to,” Balla says.

“I don’t take it for granted,” Kempf adds. “We love each other — in the truest sense of the word ‘love.’”

That might be why Water never comes across as cheap or exploitative, and why it doesn’t rely on any Rumours-esque interband drama for its power. Throughout, both Kempf and Balla — who composed the lion’s share of the material in live improvisation with McGrady in their Chicago practice space — sound fresh and alive, like they’ve each returned from a journey and are here to share what they’ve learned; it’s virtually impossible to imagine them on the opposite sides of a conflict.

In fact, Water finds Dehd’s three members united as they push themselves beyond their natural limits and end up in places they wouldn’t have imagined. Balla’s production incorporates flubbed notes and dropped beats, and it emphasizes he and Kempf’s occasionally strained voices. It’s all animated by the red-lining feel-good spirit of the Velvet Underground’s Loaded and the breezy melodicism of C86-era indie rock, with a dash of the Cramps’ spooky-hop bop courtesy of McGrady’s locomotive drumming.

Which makes Water feel like a different kind of record: It’s at once a mature and grounded look at adult relationships, and a raucous celebration of friendship, and a cracked piece of purely musical bliss. It’s a clear-eyed look at the wild nature of everyday life that’s been spun up in sugary sweet melodies and scratched-crystal sounds. More than anything, it’s the embodiment of Dehd’s m.o. from the start: As Kempf puts it, “Work with what you have and make it magical.”

 


Deeper

Deeper’s Origins date back to 2014 when prior to releasing any material an abrupt line-up change left the Chicago based band looking for a new direction. Singer and guitarist Nic Gohl along with childhood friend, guitarist Mike Clawson and drummer Shiraz Bhatti threw out all of their old songs and brought on bassist Drew McBride to round out the lineup. The subsequent demos leaned on intricate guitar interplay, direct “of the times” vocals and a spirit that speaks to the band’s collective place in this pit of endless internet.Deeper honed their sound over the course of 2015 & 16’ in basements, lofts, and anywhere that would have them. Touring the demos and landing at a fully realized inflection point. Call it Post-Punk, call it Indie Rock, it’s a record that steps in and out of boxes filtered through an unmistakable midwestern lens. As social norms and political ideologies distort, writing and creating art was the only way to control the growing voice in the band’s collective head. The conceptualizing of the album started and stopped over that two year time warp culminating in a few feverish tracking sessions in late 2017. What was left is a stark shimmering portrait of a modern American experience. It’s observational, poetic and influenced by nuance. Take opening track “Pink Showers” which was conceived through the grid lock of Chicago traffic and the “pursuit” to make your monotonous life meaningful. “I can try, don’t you see that I’m no waste”, rings out over chiming guitars and a steady rhythmic pulse. There’s something burning in us, driving our choices, begging for an answer.The band has made their mark locally supporting like minded acts Omni, Protomartyr, Chris Cohen & fellow Chicago powerhouses Whitney & Ne-Hi along with their own sold out headlining shows. Fresh off official after show appearances at Pitchfork & Lollapalooza festivals Deeper’s self titled debut album will see release May 25th 2018 On New York based Fire Talk Records.


Tate

what started as the bedroom project of singer-songwriter, Tate Kamish, has grown into an indie rock four-piece completed by Tori Roccia on lead guitar, Natalia Navarra on bass, John DiCocco on drums, and Kamish on guitar and vocals–transforming everyday experiences into honest, bittersweet, and endearing pop hooks.